Chloe Lamford trained in Theatre Design at Wimbledon School of Art.
Awards include: Arts Foundation Fellowship Award for Design for Performance in Set & Costume, Theatrical Management Association Award for Best Theatre Design (Small Miracle).
Ms Lamford is an Associate Designer for the Royal Court Theatre where work includes: Road, Victory Condition, B, Unreachable, Ophelia’s Zimmer, The Twits, How to Hold Your Breath, God Bless the Child, 2071, Teh Internet is Serious Business and Circle Mirror Transformation.
Designs for theatre include: Jubilee (The Royal Exchange); 1984 (Broadway, Australia); Our Ladies of Perpetual Succour (West End); The Maids (Toneelgroep, Amsterdam); Amadeus, Rules for Living, The World of Extreme Happiness (National Theatre); 1984 (West End/Headlong/Almeida, UK and International Tour); Atmen and Ophelia’s Zimmer (Schaubühne, Berlin; Our Ladies of Perpetual Succour (National Theatre Scotland); The Tempest (Donmar Warehouse); The Hamilton Complex (Hetpaleis, Antwerp); Salt, Root and Roe (Donmar Warehouse); The Events (ATC and Young Vic), The History Boys (Sheffield Crucible); Disco Pigs and Sus (Young Vic); My Shrinking Life, Appointment with the Wicker Man, Knives in Hens (National Theatre Scotland); Praxis Makes Perfect, The Radicalisation of Bradley Manning (National Theatre Wales); Boys (Headlong Theatre); Cannibals and The Gate Keeper (Manchester Royal Exchange); The History Boys (Sheffield Crucible); It Felt Empty… (Clean Break); Small Miracle (Tricycle/ Mercury, Colchester).
Designs for opera and dance include: Miranda (Opera Comique), Pelleas et Melisande and Alcina (Aix-en-Provence Festival), Verklärte Nacht (Rambert), The Little Sweep and Let’s Make An Opera (Malmö Opera House), The Magic Flute (English Touring Opera), War and Peace (Scottish Opera/ RCS)