Tristan und Isolde
Richard Wagner
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Act I
ca. 80 min.
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Intermission
25 min.
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Act II
ca. 65 min.
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Intermission
25 min.
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Act III
ca. 75 min.
Duration: ca. 4 h 30 min.
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Zobacz zdjęcie: Tristan i Izolda fot. / photo Krzysztof Bieliński
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Zobacz zdjęcie: Tristan i Izolda fot. / photo Krzysztof Bieliński
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Zobacz zdjęcie: Tristan i Izolda fot. / photo Krzysztof Bieliński
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Zobacz zdjęcie: Tristan i Izolda fot. / photo Krzysztof Bieliński
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Zobacz zdjęcie: Tristan i Izolda fot. / photo Krzysztof Bieliński
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Zobacz zdjęcie: Tristan i Izolda fot. / photo Krzysztof Bieliński
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Zobacz zdjęcie: Tristan i Izolda fot. / photo Krzysztof Bieliński
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Zobacz zdjęcie: Tristan i Izolda fot. / photo Krzysztof Bieliński
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Zobacz zdjęcie: Tristan i Izolda fot. / photo Krzysztof Bieliński
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Zobacz zdjęcie: Tristan i Izolda fot. / photo Krzysztof Bieliński
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Zobacz zdjęcie: Tristan i Izolda fot. / photo Magda Hueckel
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Zobacz zdjęcie: Tristan i Izolda fot. / photo Magda Hueckel
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Zobacz zdjęcie: Tristan i Izolda fot. / photo Magda Hueckel
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Zobacz zdjęcie: Tristan i Izolda fot. / photo Magda Hueckel
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Zobacz zdjęcie: Tristan i Izolda fot. / photo Magda Hueckel
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Zobacz zdjęcie: „Tristan i Izolda”, plakat / poster by Adam Żebrowski
Music drama in three acts
Libretto: Richard Wagner after Gottfried von Strassburg
Premiere: 12.06.2016
Co-produced by: Metropolitan Opera, New York
Festspielhaus Baden-Baden
National Centre for the Performing Arts, Beijing
In the original German with Polish surtitles
Tristan und Isolde is one of the few operas whose historical significance goes far beyond the history of opera. This masterpiece sums up a century and a half of tonal harmony and is armed to the teeth with the ammunition which was taken over at the beginning of the twentieth century by the most ambitious Wagnerian disciples and emboldened them to proclaim their sound anarchy.
Above all, however, Tristan remains the greatest incarnation of the Liebestod concept developed by the German Romantics. This quite mysterious term, indeed difficult to translate (‘death of love’ sounds rather pretentious and puts one in mind of Barbara Cartland novels), can already partially refer to The Flying Dutchman, yet in Tristan Wagner offers us a true meditation on this idea.
The Warsaw premiere of Tristan und Isolde will be of historical significance for us. It will predate by a couple of months the opening of the 2016/17 season at the Metropolitan Opera, from the directorial point of view entrusted – a fact unprecedented in the history of Polish theatre – to the artistic director of Teatr Wielki – Polish National Opera, Mariusz Treliński.
Cast
Credits
Sponsors
Patron of Teatr Wielki - Polish National Opera
Partners of Teatr Wielki – Polish National Opera
Partner of the premiere
Patron of the Premiere
Media patrons of the premiere
Media patrons of Teatr Wielki – Polish National Opera
Time is measured by
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