The Haunted
Manor

Stanisław Moniuszko

  • Act I

    40 min.

  • Intermission

    ca. 20 min.

  • Act II

    40 min.

  • Intermission

    ca. 20 min.

  • Act III and IV

    1 h 10 min.

Duration: ca. 3 h 15 min.

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Opera in four acts
Libretto: Jan Chęciński
World premiere: 28 September 1865, Teatr Wielki, Warsaw
Premiere of this production: 8 November 2015, Teatr Wielki – Polish National Opera
In the original Polish with English surtitles

‘What will I find, if I go out on such a night? / Here everyone’s a stranger, rushing at all times/ Ah, no music will cheer me up in my plight, / Maybe The Haunted Manor and its Aria with Chimes,’ writes Jan Lechoń, melancholy by nature, soothing his nostalgia with the sounds of the most famous Polish aria. The audience can have a great time within the aura of nostalgia in this visually impressive staging of Moniuszko. The watchful, yet playful, and above all, fresh look taken by David Pountney at our national masterpiece allowed him to extract a discourse on manly virtues from under the dusty layer of Polish Kontushes and sabres. By setting the piece in the 1920s, the British director liberated Stefan and Zbigniew from the mists of insurgent uprisings and defeats, transferring them into a world of the country’s modernization following the First World War. Among the beautiful stage pictures there appears Kossak’s Miracle on the Vistula, but also Boucher’s The Four Seasons. A mock-up of a noble manor makes an appearance too, there is a place even for the rustle of dresses and tailcoats, but everything somehow takes on European momentum. The final ball has a touch of opéra comique about it. From the spirit of Polishness, the spirit of interpersonal affairs comes to the foreground. This well-known opera takes a step beyond the magic circle of national symbols. It delights with its fresh outlook. By making us laugh, it ends up moving us.

Cast

Credits

Chorus and Orchestra of the Teatr Wielki  Polish National Opera
Polish National Ballet


Synopsis

  • ,

    Act I

    Two brothers, Stefan and Zbigniew, bid farewell to their fellow soldiers. They make a solemn promise to remain single so as not to be diverted by domestic issues should their country need them in the future (chorus and duet).

    Back at their country estate, the servants are preparing for the brothers’ arrival home (chorus), together with their faithful companion Maciej. The three men reflect nostalgically on their childhood home (trio). Their Aunt, Chamberlain’s wife, arrives – a notorious matchmaker. She has marriage plans for her nephews (trio) which the boys resist, planning instead to put the affairs of their estate in order by collecting their debts. She is horrified when they announce that they will begin at Kalinowo, a house which she claims is haunted. Undeterred, the three men set off (finale).

  • ,

    Act II

    New Year’s Eve in Kalinowo, the Manor House of the Sword-Bearer. A group of young girls including his daughters, Hanna and Jadwiga, are preparing entertainments for the traditional New Year party, and amuse themselves by telling one another’s fortunes (women’s chorus and dumka). Damazy, a lawyer with a taste for affected French fashion, makes a play for one of the sisters (duet), but the fortune-telling reveals that the girls are destined to marry soldiers (quartet). The Sword-Bearer expounds his idea of the perfect son-in-law, a Polish citizen and patriot characterised by courage and nobility (Polonaise aria).

    The Chamberlain’s wife has managed to get to Kalinowo before her nephews, and tries to dampen the family’s interest in them by describing them as weak and effeminate. Hanna and Jadwiga determine to punish them for their unworthy cowardice.

    The steward Skołuba arrives with huntsmen. He has just shot a wild boar, but at the same time it was hit by another bullet from a stranger in a passing coach: there are two bullets in the animal. Who can claim the prize? Zbigniew and Stefan are welcomed by the Sword-Bearer as the sons of his dearest friend. It was Maciej who fired the second shot, and he and Skoluba start a noisy dispute. The Sword-Bearer announces that at the New Year banquet the first toast will be to Stefan and Zbigniew’s father (finale).

  • ,

    Act III

    A room in the tower of Kalinowo Manor with a large grandfather clock and paintings on the walls. Maciej is terrified when Skołuba warns him about the apparitions that haunt the tower (aria). The two girls have secretly hidden behind the paintings. Maciej imagines everything to be a ghost, and Zbigniew and Stefan try to calm him down, commenting that the old soldier displays his courage only on the battlefield, and that the wine may be the cause of the ghosts he sees. In the moonlight Stefan is haunted by Hanna’s beautiful eyes, but then remembers his vow. The clock strikes twelve, and the chimes play a melody which his father used to sing (Aria with chimes). Zbigniew is also unable to fall asleep and the brothers confess to one another that they have fallen in love: Stefan with Hanna, and Zbigniew with Jadwiga. The two girls secretly observe these confessions from their pictures (duet and quartet). Damazy has hidden inside the clock, hoping to frighten the visitors, but Maciej captures him and Damazy now has to explain himself. Still intent on driving the brothers away, he tells them that the manor house was built with a reward for treachery, and so is cursed. Disgusted by this information, they decide to leave at once (finale).

  • ,

    Act IV

    Hanna is furious about thier perceived cowardice, and asserts that there is no conflict between marriage and duty to the fatherland (aria). Damazy reports that the two men are afraid of ghosts and are about to depart. The Sword-Bearer flies into a rage, accusing the two men of cowardice, but although the boys keep up a tactful silence, Maciej reveals Damazy’s scandalous accusation. The Sword-Bearer indignantly refutes this, and persuades the boys to stay.

    The ringing of bells is heard in the distance, and sleighs with guests arrive, including Damazy in disguise. He is eventually exposed, and the Sword-Bearer demands an explanation for his lies. Damazy makes one last attempt to gain the hands of one of the sisters, but now the brothers realise they must follow their hearts, and their proposals are accepted, but not before the Sword-Bearer has finally explained the true reason for the manor’s haunted reputation (finale).

Sponsors

  • Patron of Teatr Wielki – Polish National Opera

  • Partners of Teatr Wielki – Polish National Opera

  • Logo Perlage
  • Logo Sisley
  • Logo Albert Riele