Creations 7

PARADUET
Choreography: Kurusz Wojeński
Music: Siergiej Rachmaninow
Piano: Marcin Mazurek, Sergey Morozov

FARCE
Choreography: Lachlan Phillips
Music: Scott Joplin

W GŁOWIE TEJ
Choreography: Tomasz Fabiański
Music: Johann Sebastian Bach, Wolfgang Amadeus Mozart, Robert Schumann, Paweł Mykietyn, Felix Mendelssohn-Bartholdy, Krzysztof Penderecki

SONNETS
Choreography: Eduard Bablidze
Music: Johann Sebastian Bach

KREACJE
Choreography: Paulina Jurkowska
Music: Mateusz Krautwurst

4.44
Choreography: Adam Kozal
Music: Röyksopp

OJCIEC CHRZESTNY
Choreography: Michał Chróścielewski
Music: Ennio Morricone, Nino Rota, Carmine Coppola

CZKAWKA
Choreography: Robert Bondara
Music: Jack Nitzche, Michał Jacaszek

Z TEGO, CO WE MNIE NIEZRĘCZNE
Choreography: Kristóf Szabó
Music: Fryderyk Chopin
Piano: Klaudia Kudełko

Choreographic workshops should be an intrinsic element in the life of a ballet company which has the ambition of developing its own artistic image. Without a search for new paths, means of expression, and even a new language, ballet would be a rather uninteresting art, offering audiences neither surprises nor challenges, maybe even a dead art. A leading ballet company, apart from presenting great and familiar repertoire, should also be creative, they should seek their own unique artistic solutions, propose ballets by new choreographers, preferably from among the company itself. For choreographic talent to stand a chance of revealing itself and developing, however, certain conditions have to be in place. That’s why one of my first initiatives after taking over as director of the Polish National Ballet was to establish annual choreography workshops.
Krzysztof Pastor