Powder her face
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Act I
1 h 30 min
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Intermission
30 min
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Act II
1 h 30 min
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Intermission
30 min
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Act III
1 h 30 min
Duration: 3 h 30 min
- See photo: fot. Krzysztof Bieliński
- See photo: fot. Krzysztof Bieliński
- See photo: fot. Krzysztof Bieliński
- See photo: fot. Krzysztof Bieliński
- See photo: fot. Krzysztof Bieliński
- See photo: fot. Krzysztof Bieliński
- See photo: fot. Krzysztof Bieliński
- See photo: fot. Krzysztof Bieliński
- See photo: fot. Krzysztof Bieliński
- See photo: fot. Krzysztof Bieliński
- See photo: fot. Krzysztof Bieliński
- See photo: fot. Krzysztof Bieliński
- See photo: fot. Krzysztof Bieliński
- See photo: fot. Krzysztof Bieliński
- See photo: fot. Krzysztof Bieliński
Chamber opera in two acts and eight scenes
Libretto: Philip Hensher
World premiere: 1 July 1995, Cheltenham Festival, Everyman Theatre, Cheltenham
Polish premiere, premiere of this production: 9 May 2015
Co-produced by: Théâtre Royal de la Monnaie, Brussels
In the original English with Polish surtitles
Seats for the audience will be set on the Main Stage in the Moniuszko Auditorium.
For adults only
At last! We finally have a Polish production of this opera by Thomas Adès, who is almost unknown in Poland though his composing career in the English-speaking world has been one of the most spectacular in the last quarter-century.
The model for the protagonist in Powder Her Face was Margaret, Duchess of Argyll, a beautiful celebrity who gained notoriety for her scandalous conduct revealed in the divorce proceedings initiated by her aristocratic husband.
This chamber composition written by Adès at the age of 24, maintained in the mood of a Weill-esque cabaret opera, has all the distinctive features of the brilliant London-born composer’s music: harmonic sophistication, great sense of form, inexhaustible ingenuity in juggling musical conventions. Though in this score the composer likes to walk arm in arm with Schubert, Berg and Britten, admirers of Astor Piazzolla will also find more than one gem here.
Whoever is unconvinced by these compliments addressed to Adès might be drawn to Powder Her Face by a mention of the 'fellatio aria' that the Duchess hums voraciously, inevitably 'assisted' by a bellboy. This quick number, emblematic of the composer’s entire musical brilliance, is probably the most obscenely dolled-up scene in the history of opera.
Cast
- Duchess
- Hotel Manager
- Electrician
- Maid
- Duchess
- Hotel Manager
- Electrician
- Maid
- Duchess
- Hotel Manager
- Electrician
- Maid
- Duchess
- Hotel Manager
- Electrician
- Maid
- Duchess
- Hotel Manager
- Electrician
- Maid
Credits
- Conductor
- Conductor (19.05.2015)
- Director
- Set Designer
- Costumes
- Choreography / staging
- Dramaturgy
- Lighting Designer
- Video Projections
- Conductor
- Conductor (19.05.2015)
- Director
- Set Designer
- Costumes
- Choreography / staging
- Dramaturgy
- Lighting Designer
- Video Projections
- Conductor
- Conductor (19.05.2015)
- Director
- Set Designer
- Costumes
- Choreography / staging
- Dramaturgy
- Lighting Designer
- Video Projections
- Conductor
- Conductor (19.05.2015)
- Director
- Set Designer
- Costumes
- Choreography / staging
- Dramaturgy
- Lighting Designer
- Video Projections
- Conductor
- Conductor (19.05.2015)
- Director
- Set Designer
- Costumes
- Choreography / staging
- Dramaturgy
- Lighting Designer
- Video Projections
Orchestra of the Teatr Wielki - Polish National Opera
Mimes, dancers and children dancers
Sponsors
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Partnerzy Teatru Wielkiego - Opery Narodowej
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Patron medialny premiery
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Współorganizator koktajlu
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Patroni medialni Teatru Wielkiego - Opery Narodowej
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Partners of Teatr Wielki - Polish National Opera
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Media patrons of Teatr Wielki - Polish National Opera