La Bayadère

Ludwig Minkus, John Lanchbery / Marius Petipa, Natalia Makarova

Performances

Ballet in three acts
Libretto: Marius Petipa, Siergiej Chudiekow
Music: Ludwig Minkus
Arranged by: John Lanchbery 
World premiere: Bolshoi Theatre, 4 February 1877
Premiere of this production: American Ballet Theatre, New York, 21 May 1980
Premiere in the Teatr Wielki - Polish National Opera: 15 May 2004

A beautiful Hindu tale of love and its power to transcend death. The legendary ballet star Natalia Makarova staged La Bayadère at Teatr Wielki according to the best St. Petersburg standards. She meticulously recreated and polished the original choreographic version of the great Marius Petipa from 1877, while retaining his original unmatched choreography of the Kingdom of the Shades scene – one of the most phenomenal pieces in classical ballet heritage. She first created her La Bayadère for the American Ballet Theatre in New York, and then revived it several times with the best classical dance companies. This colourful, romantic show captivates the audience with its scale; it is deeply moving and leaves a lasting impression. It is full of wonderful solo performances and ensemble scenes. It is an excellent test of academic craftsmanship of every ballet company. It also belongs to the repertoire of the Polish National Ballet.

Cast

2016-06-23 | 19:00

Credits

Polish National Ballet
Orchestra of the Teatr Wielki - Polish National Opera

Synopsis

  • Act I

    Scene 1. The Sacred Forest, outside the temple

    Warriors returning from the great tiger hunt are joined by Solor, the noblest warrior in the land. He asks to be left alone to pray before the Sacred Fire, but once the warriors have departed, he calls for the head Fakir, Magdaveya, and asks him to arrange a rendezvous for him with the bayadère, Nikiya. They are interrupted by the arrival of the priests and the High Brahmin who orders Magdaveya to gather the other Fakirs to prepare the Sacred Fire for the coming celebration. The bayadères appear, and among them is Nikiya, who has been chosen to be consecrated their leader. The High Brahmin is overwhelmed by her beauty and tells Nikiya of his love for her. Nikiya, however, rejects his attentions for he is a man of God. The High Brahmin is deeply hurt by her reaction to his declaration of love. As the celebration begins, the temple dancers bring water to the Fakirs, and Magdaveya informs Nikiya of Solor’s message. Nikiya agrees to meet him, but not before the High Brahmin has seen her with Magdaveya and becomes suspicious. The ceremony ends and the celebrants return to the temple. Magdaveya calls for Solor and tells him to hide in the forest until Nikiya returns to meet him. She soon appears, and when Solor joins her they swear eternal love over the Sacred Fire. Unbeknown to Solor and Nikiya, the High Brahmin has been watching them from within the temple, and after an uneasy Magdaveya separates the lovers, the High Brahmin emerges in a fury and invokes the gods to help him kill Solor.

    Scene 2. A room in the palace

    Warriors have been invited to the palace to honour Solor. The Rajah announces that Solor’s reward for his valour will be marriage to Gamzatti. He presents his daughter to Solor, and when he lifts her veil, Solor is overcome by her beauty. Even though he has sworn eternal love to Nikiya, he cannot resist Gamzatti’s attractions or refuse the Rajah’s wishes. Entertainment is provided for the betrothed couple, which ends with the arrival of the High Brahmin. He asks to speak privately to the Rajah, and informs him of Nikiya’s and Solor’s love. He had hoped that the Rajah would kill Solor, but the Rajah instead decides that Nikiya must die, to the dismay of the High Brahmin. Gamzatti overhears their conversations and summons Nikiya to her rooms. She tries to bribe her to leave Solor by offering her jewels and gifts, but Nikiya refuses. In desperation, she tries to stab Gamzatti, but is stopped by her attendant, Aya. As Nikiya runs out of the room, Gamzatti, like her father, determines to kill her.

    Scene 3. The garden of the palace

    Festivities are presented in honour of the betrothal of Gamzatti and Solor. The High Brahmin brings Nikiya to dance for the ceremony. She cannot accept the engagement and expresses her sadness in dance. Aya gives her a basket of flowers which she says are from Solor, and Nikiya’s spirits brighten. However, a poisonous snake is hidden among the flowers, which were actually sent by the Rajah and Gamzatti. The snake bites Nikiya as she lifts the basket to smell the flowers. The High Brahmin offers her an antidote to the poison, but the moment before she drinks it, Nikiya sees Solor being led away by the Rajah and Gamzatti, and she decides to die.

  • Act II

    Scene 1. Solor’s tent

    Despondent and depressed by Nikiya’s death, Solor smokes opium, given to him by agdaveya to deaden his grief.

    Scene 2. The Kingdom of the Shades

    Solor hallucinates and conjures a vision of the dead Nikiya. She appears in the Kingdom of the Shades, and her vision is multiplied by the corps de ballet. Solor reminisces about her dance of love by the Sacred Fire.

    Scene 3. Solor’s tent

    As the warriors enter his tent to prepare Solor for the wedding to Gamzatti, the vision of Nikiya continues to haunt and confuse him.

  • Act III

    The temple

    In the shadow of the Great Buddha, a bronze idol dances as the High Brahmin and the priests prepare for the wedding of Gamzatti and Solor. The betrothed couple enter, and the bayadères perform a ritual candle dance round them, reminiscent of the Sacred Fire burning outside the temple. The Rajah, Gamzatti and Solor dance, but Solor is haunted by the vision of Nikiya, which is visible only to him. During the dance, a basket of flowers identical to the one given to Nikiya mysteriously appears, and Gamzatti, terrified and consumed with guilt, urges her father to complete the wedding ceremony. The High Brahmin performs the ceremony on the steps of the altar, but Solor cannot force himself to say the vows. The infuriated gods destroy the temple and bury everyone under its ruins. The spirits of Nikiya and Solor are reunited in eternal love.

Sponsors

  • Mecenas Teatru Wielkiego - Opery Narodowej

  • Partnerzy Teatru Wielkiego - Opery Narodowej

  • Patroni medialni Teatru Wielkiego - Opery Narodowej

  • Mecenas Teatru Wielkiego - Opery Narodowej

  • Partners of Teatr Wielki – Polish National Opera

  • Media patrons of Teatr Wielki – Polish National Opera