Fredriana
Stanisław Moniuszko / Conrad Drzewiecki, Anna Hop
Ballet double bill
SARMATIAN PARABLE
Based on Aleksander Fredro's Revenge
Choreography: Conrad Drzewiecki
Music: Stanisław Moniuszko (fantastic overture Fairy Tale)
Staging: Emil Wesołowski
HUSBAND AND WIFE
Based on Aleksander Fredro's comedy of the same title
Choreography: Anna Hop
Music: Stanisław Moniuszko (ballet music In the billets)
Premiere: 6 April 2019, Polish National Ballet, Warsaw
Count Aleksander Fredro, Poland’s superb comedic playwright, Stanisław Moniuszko, the father of Polish opera, plus two extraordinary choreographies – Sarmatian Parable, the now-classic piece devised by the great Conrad Drzewiecki, and Husband and Wife, a contemporary work created by Anna Hop, a young, yet already acclaimed, artist.
In his lifetime, Moniuszko did write music to the Count’s plays, for instance Nowy Don Kiszot, czyli Sto szaleństw (New Don Quixote, or A Hundred Follies). Hop’s piece, however, uses Moniuszko’s only ballet, Na kwaterze (In the billets) as its score.
Sarmatian Parable, Drzewiecki’s balletic version of Fredro’s Revenge, the most amusing comedy ever written in Polish, is danced to one of Moniuszko’s best orchestral scores – the fantastic overture Fairy Tale. The Polish National Ballet managed to perfectly revive Drzewiecki’s work under the supervision of Emil Wesołowski, the iconic choreographer’s former student. The ballet wittingly tells the story of two warring clans and their young members, Waław and Klara, who fall in love but cannot find happiness due to their fathers’ obstinance.
Written in 1868, Na kwaterze (also known as Na kwaterunku), the music that accompanies Anna Hop’s choreographic take on Fredro’s Husband and Wife, is one of Moniuszko’s later pieces. Fredo’s protagonists Elwira, her husband Wacław and their lovers Alfred and the maid Justysia are tangled into a very unseemly relationship.
The double bill is another chance to listen to Moniuszko’s music which accompanies the tongue-in-the-cheek romantic storylines. The light-hearted, universal comedy ingeniously constructed by the brilliant playwright is a perfect match with Moniuszko’s at times lyrical and at times dramatic score. And so are the two choreographies superbly performed by the dancers of the Polish National Ballet.
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Time is measured by
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Cast
Credits
Polish National Ballet
Orchestra of the Polish National Opera
Synopsis
Sponsors
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Partnerzy Akademii Operowej
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Partnerzy Teatru Wielkiego - Opery Narodowej
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Partner Polskiego Baletu Narodowego
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Partner technologiczny
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Patroni medialni
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Partners of the Opera Academy
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Partners of Teatr Wielki – Polish National Opera
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Partner of the Polish National Ballet
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Technological partner
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Media patrons
Vladimir Yaroshenko
Carlos Martín Pérez
Anastasiia Bilokon
Natalia Pasiut
Patryk Walczak
Maksim Woitiul
Adam Myśliński
Łukasz Tużnik
Marco Esposito
Joanna Drabik
Diogo de Oliveira
Paweł Koncewoj
Aneta Zbrzeźniak
Bartosz Zyśk
Cezary Wąsik
Nikodem Bialik
Marta Fiedler
Ryota Kitai
Mar Bonet Sans
Wojciech Ślęzak
Vadzim Kezik
Nikola Dworecka
Daria Majewska
Laurence Elliott
Kilian Smith
Gianni Melfi
Conrad Drzewiecki
Emil Wesołowski
Anna Hop
Wojciech Kostrzewa
Renata Smukała
Jan Bernaś
Lilia Ostrouch
Małgorzata Szabłowska
Krzysztof Pankiewicz
Katarzyna Załęcka
Maciej Zień
Maciej Igielski