La Folle Journée de Varsovie: Wild Beauty (26)

The 14th edition of the Festival: ORIGINS | TICKETS AVAILABLE ON EVENTIM.PL

28 September 2024 Saturday 17:30 WATER Hall (Redutowe Rooms)

Duration
Images
Videos

PERFORMERS:

Les Musiciens de Saint-Julien:
François Lazarevitch flute, flute traverso, frula (Serbian flute), fluier (Romanian flute), bagpipes, artistic direction, arrangements
Hélène Richaud voice, cello
Petr Ruzicka violin
Amaryllis Billet violin
Iurie Morar cimbalom
Pierre Rigopoulos zarb (Persian drum), davul, saggats, percussions

PROGRAMME:

Dyž sem šla z kostela (When I was leaving the church), traditional Moravian song
Georg Philipp Telemann Largo and Vivace (mov. III and IV) from Concerto in D major for flute, strings and basso continuo, TWV 51:D2
Suite of Dances from the Uhrovec Collection (Slovakia, 1730): [without title] – Hungaricus • Hajdukujymy, traditional song from Żywiec region (Poland – Hungary)
Georg Philipp Telemann Vitement from the Rostock manuscript, TWV 45 • Braul Oltenesc, traditional Romanian dance (arr. Iurie Morar)
Nisko słonko, traditional song from Kurpie region (Poland)
Georg Philipp Telemann Allegro (mov. VII) from Trio No. 3 in B minor, TWV 42:H2 • Hora din caval, traditional Romanian melody (arr. Iurie Morar) • Georg Philipp Telemann Adagio (mov. III) from Concerto polonoise in D major, TWV 51:D3 • Georg Philipp Telemann Presto (mov. V) from Trio No. 3 in B minor, TWV 42:H2 (arr. Iurie Morar)
Vešelo še dzivče, traditional Slovakian melody (arr. Josef Žák)
Suite of Dances from the Uhrovec Collection (Slovakia, 1730): [without title] – Hungaricus – Hungaricus – [without title] – Olas

Szalone Dni Muzyki (La Folle Journée de Varsovie) returns in 2024 with a rich and varied selection of 56 concerts over a period of three days. This year’s festival theme is Origins. And a journey to the origins is a fascinating expedition! We will wander towards nature: to the murmur of gushing water and birdsong, but also to ancient ways of human communication – primordial rhythm or traditional calling and singing. We will look at traditional instruments and folk inspirations in both classical music and jazz. We will reach out to the great works of the classical canon, such as Bach’s Goldberg Variations (no. 51), Mozart’s operas (no. 9), the symphonies of Beethoven and Dvořák (nos. 23, 47), Bartók’s Sonata for Two Pianos and Percussion (no. 27), Gershwin’s Rhapsody in Blue (nos. 32, 53) and Bernstein’s Symphonic Dances from West Side Story (nos. 1, 48, 55). These are “original” works for the cultural formation of modern audiences, and they are an inexhaustible mine of inspiration for subsequent generations, drawing on these sources to the fullest.