Chloe Lamford trained in Theatre Design at Wimbledon School of Art.
Awards include: Arts Foundation Fellowship Award for Design for Performance in Set & Costume, Theatrical Management Association Award for Best Theatre Design (Small Miracle).
Ms Lamford is an Associate Designer for the Royal Court Theatre where work includes: Road, Victory Condition, B,Unreachable, Ophelia’s Zimmer, The Twits, How to Hold Your Breath, God Bless the Child, 2071, Teh Internet is Serious Business and Circle Mirror Transformation.
Designs for theatre include: Jubilee (The Royal Exchange); 1984 (Broadway, Australia); Our Ladies of Perpetual Succour (West End); The Maids (Toneelgroep, Amsterdam); Amadeus, Rules for Living, The World of Extreme Happiness (National Theatre); 1984 (West End/Headlong/Almeida, UK and International Tour); Atmen and Ophelia's Zimmer (Schaubühne, Berlin; Our Ladies of Perpetual Succour (National Theatre Scotland); The Tempest (Donmar Warehouse); The Hamilton Complex (Hetpaleis, Antwerp); Salt, Root and Roe (Donmar Warehouse); The Events (ATC and Young Vic), The History Boys (Sheffield Crucible); Disco Pigs and Sus (Young Vic); My Shrinking Life, Appointment with the Wicker Man, Knives in Hens (National Theatre Scotland); Praxis Makes Perfect, The Radicalisation of Bradley Manning (National Theatre Wales); Boys (Headlong Theatre); Cannibals and The Gate Keeper (Manchester Royal Exchange); The History Boys (Sheffield Crucible); It Felt Empty… (Clean Break); Small Miracle (Tricycle/ Mercury, Colchester).
Designs for opera and dance include: Miranda (Opera Comique), Pelleas et Melisande and Alcina (Aix-en-Provence Festival), Verklärte Nacht (Rambert), The Little Sweep and Let's Make An Opera (Malmö Opera House), The Magic Flute (English Touring Opera), War and Peace (Scottish Opera/ RCS)
