La Folle Journée de Varsovie: MO… MO… MO… MOZART (9)

The 14th edition of the Festival: ORIGINS | TICKETS AVAILABLE ON EVENTIM.PL

27 September 2024 Friday 21:30 LOVE Hall (Moniuszko Auditorium)

Performances

Duration
Images
Videos

PERFORMERS:

Aleksandra Orłowska soprano
Hubert Zapiór baritone

Anna Marchwińska piano
Orchestra of the Polish National Opera

Marta Kluczyńska conductor

PROGRAMME:

Wolfgang Amadeus Mozart

Overture and duo Cinque… dieci… venti… trenta… (Figaro and Susanna) from Act 1 of the opera Le Nozze di Figaro, K.492 [7’]
Aria Deh vieni, non tardar (Susanna) from Act 4 of opera Le Nozze di Figaro, K.492 [4’]
Recitativo and aria Hai già vinta la causa! – Vedrò mentre io sospiro (Count) from Act 3 of the opera Le Nozze di Figaro, K.492 [5’]
Don Giovanni Overture, K.527 [5’]
Duo Là ci darem la mano (Zerlina and Don Giovanni) from Act 1 of the opera Don Giovanni, K.527 [4’]
Così fan tutte Overture, K.588 [5’]
Concert aria Rivolgete a lui lo sguardo, K.584 (originally Guglielmo’s aria from Act 1 of the opera Così fan tutte, K.588) [5’]
Recitativo and Concert Aria Ch’io mi scordi di te? – Non temer, amato bene, K.505 [10’]
Pas Seul, excerpts of ballet music from the opera Idomeneo, K.367 [5’]

Szalone Dni Muzyki (La Folle Journée de Varsovie) returns in 2024 with a rich and varied selection of 56 concerts over a period of three days. This year’s festival theme is Origins. And a journey to the origins is a fascinating expedition! We will wander towards nature: to the murmur of gushing water and birdsong, but also to ancient ways of human communication – primordial rhythm or traditional calling and singing. We will look at traditional instruments and folk inspirations in both classical music and jazz. We will reach out to the great works of the classical canon, such as Bach’s Goldberg Variations (no. 51), Mozart’s operas (no. 9), the symphonies of Beethoven and Dvořák (nos. 23, 47), Bartók’s Sonata for Two Pianos and Percussion (no. 27), Gershwin’s Rhapsody in Blue (nos. 32, 53) and Bernstein’s Symphonic Dances from West Side Story (nos. 1, 48, 55). These are “original” works for the cultural formation of modern audiences, and they are an inexhaustible mine of inspiration for subsequent generations, drawing on these sources to the fullest.