Anna Met graduated from the Academy of Fine Arts, Warsaw with a degree in set design. She collaborates with Natalia Korczakowska. The duo’s credits include: Pensjonat Madryt (Centrum Artystyczne M25, Warsaw, 2005); Verklärte Nacht (National Theatre, Warsaw, 2006); Smycz (Polski Theatre, Wrocław, 2006), Strefa działań wojennych (Rozmaitości Theatre, Warsaw, 2006), Śmierć człowieka-wiewiórki (Jeleniogórski Theatre, Jelenia Góra, 2007); Elektra ( Jeleniogórski Theatre, 2008) Nelly after Dostoyevsky’s Humiliated and Insulted (Dramatyczny Theatre, Wałbrzych), The Passenger by Zofia Posmysz (Współczesny Theatre, Wrocław); Solaris. Raport after Stanisław Lem’s Solaris (Rozmaitości Theatre); and Dynastia. Sclerosis multiplex (Dramatyczny Theatre, Wałbrzych).
She designed performances shown at the Warsaw-based festival Niewinni Czarodzieje – Tyrmand, Komeda, Polański and assisted Bert Neumann when he was devising sets for Ragazzo dell’Europa directed by René Pollesch for the Rozmaitości Theatre. She collaborated with Grażyna Kania (Nordost, Polski Theatre, Bydgoszcz, 2007), Anna Smolar (Pani z Birmy, Polonia Theatre, Warsaw), and Marek Kalita (Widzialna ciemność, Dramatyczny Theatre, Warszawa, 2007). In 2011 she debuted as a designer at the Teatr Wielki – Polish National Opera, devising sets and costumes for a production of Wolfgang Rihm’s chamber opera Jakob Lenz. In December 2011 she designed sets for a full-fledged production of Moniuszko’s Halka.
