• Kontrast
      • Animacje: Wyłącz
      • Kontrast: A Domyślna wersja kolorystyczna A Czarny tekst na białym tle A Biały tekst na czarnym tle A Czarny tekst na żółtym tle A Żółty tekst na czarnym tle
      • Powiększ tekst: Ctrl plus
      • Pomniejsz tekst: Ctrl minus
      • Przywróć: Ctrl zero
  • Wybierz język polski PL
  • Boutique
  • Newsletter
  • VOD
Teatr Wielki - Opera Narodowa Teatr Wielki - Opera Narodowa
  • Strona główna
  • What's on
    • Calendar
    • The 2024/25 Season
    • The 2025/26 Season
    • Exhibitions
    • VOD
  • Tickets
    • Buy tickets
    • Information for visitors
    • Ticket refunds
  • About
    • News
    • Polish National Ballet
    • People
    • Place
    • Backstage
    • History
    • Contact Us
  • Our projects
    • Education
    • Opera Gallery
    • Opera Academy
    • Moniuszko Vocal Competition
    • Theatre Museum
    • Volunteering
    • For the Media
    • Venue hire
    • EU funding

Tatyana van Walsum

Costume and Set Designer

Born in England, she lives and works in Amsterdam. She received her degree in costume design at the Wimbledon School of Art in London. Later she studied at the Motley Theatre Design Course in London. Over the years she has been designing for theatre plays, ballet, and opera. Her work also includes designs for museum exhibitions and films.

As costume and set designer she collaborated with Krzysztof Pastor on Tristan (Royal Swedish Ballet); Voice (HNB); In Light and Shadow; Do Not Go Gentle... and Crossing Paths (HNB); In Light and Shadow and Romeo and Juliet (Scottish Ballet); Symphonie fantastique (Australian Ballet), for which she received the Green Room Award; and Bolero (HNB), and more. She also collaborated with Martin Müller on A Women Can Take You... and Heidi (The Hague); R.A.M. (Stuttgart), whose revival in Göteborg was hailed as the best ballet production of the year; and Le Jour Même (Lyon), for which she received the Benois de le Dance Award for the best scenography in ballet. With Peter Schaufuss she worked on La Sylphide (La Scala); Hamlet (Royal Ballet of Denmark); and Trilogy set to Tchaikovsky's music (Denmark). With Dominique Dumais she worked on Skin Divers; Frida; Woolf; Time and other Matter; Lebenslenien; Broken Verse; Resonance de Chopin; Rilke; R.A.W.; and The Little Prince. Working for theatre she designed the set and costumes for Aars by Verhelst, The Pelikan by Strindberg, and Grave by Sarah Kane. She worked on the following operas: Cosi fan tutte (Reumert Pris for the best opera production of the year), Carmen, La Bohème, and Ik (nominated by the NRC Handelsblad as the best theatre play of the year). At the Teatr Wielki – Polish National Opera she has recently worked on Century Rolls (2012) and Romeo and Juliet (2014).

Photo by Anjoesja Odufré

  • Strona główna
  • Udostępnij
do góry
  • What's on

    • 2024/2025 season overview
    • Calendar of events

    Tickets

    • Buy a ticket
    • 2024/25 Terms and Conditions
    • Terms and conditions of a time-limited offer on 10 June 2025
  • About

    • News
    • Polish National Ballet
    • The People
    • The Place
    • History
    • Backstage
    • VOD
    • For the media
    • Contact us
  • Our projects

    • Education
    • Opera Academy
    • Moniuszko Competition
  • Practical info

    • Your visit
    • Accessibility
    • Sitemap
    • Newsletter
  • For partners and sponsors

    • Our partners and sponsors
    • Support us
    • Venue hire
    • Public procurement
    • Job offers
Logo Instagram

Teatr Wielki - Polish National Opera, plac Teatralny 1, 00-950 Warszawa, skrytka pocztowa 59

Reservations: +48 22 692 02 08 Operator: +48 22 692 02 00 E-mail: [email protected]

Europejski Fundusz Rozwoju Regionalne
''