Krystian Łysoń graduated from the Dance Theatre Department of the Kraków Academy of Theatre Arts, where he contributed to two diploma shows: Superheroes 10/9 directed by B. Peszek and Working title EGO choreographed by Jens van Daele.
He is a co-founder of a Polish-German group Little:interference, with whom he developed Heimsuchung / Nawiedzenie and Operculum – Looking for Heimat. He also co-founded Ruchomy Kolektyw, with whom he developed Profanum andWe Are Not Superheroes, and founded LineAct, with whom he staged Zakorzenieni, Oplątane, 27 krótkich spojrzeń, Szczególnie ciekawe przypadki, Lepiej*, Przebrzmienia, Opowieści zza ściany, and In/suspense.
He performed in Na czworakach directed by J. Stuhr, Estra i Andro directed by Eryk Makohon, Leni Riefenstahl – epizody niepamięci directed by E. Marciniak, Bataille – świt nowych dni directed by S. Krawczyński, A. Godowska, Wyzwolenie directed byR. Rychcik, Zabiłem brata mego directed by A. Kopański, Listy do Mileny directed by M. Gorczyński, But The Sun Came Up And We Were There directed by Colleen Thomas Young, Orfeo and Euridice directed by M. Piekorz and choreographed by J. Lewandowski, Uwaga, Kraksa, Ekstazy choreographed by Marta Bury, Nieważkość, Odyseja Łemkowska, Tysiąc Nocy i Jedna. Szeherezada 1979 directed by Wojciech Faruga.
His choreography credits include Dekalog, Matka Joanna od Aniołów, 1970, Tysiąc Nocy i Jedna. Szeherezada 1979, Katyń and Teoria Barw directed by Wojciech Faruga and Grand Musical Hotel directed by Michał Walczak.
He appeared in Bartosz Konopka's film Krew Boga.
Mr Łysoń completed master classes led by Robert Wilson, Marianna Kavallieratos, Phillip Glass, CocoRosie, Dimitris Papaioannou, Graham Dixon, Jozef Frucek, Jacek Łumiński, Sylwia Hefczyńska-Lewandowska, Werner Bechter, Iwona Olszowska, Witold Jurewicz, and Janusz Skubaczkowski. In 2014, 2015 and 2016 he took part in the International Summer Program at the Watermill Center in New York, where he trained under Robert Wilson.
